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不知道会持续到什么程度的深巨大的竖穴里，栖息着奇怪的生物们沉睡着现在人类无法创造的珍贵遗物。就算记得，也是一星半点，绝不会将一段往事串联起来，说得事无巨细。该剧讲述梦想着能通过法庭对抗强权、保护弱者的菜鸟法官，坚守原则的初精英法官，现实主义的法官，在由这三名形色各异的法官组成的司法裁判部发生的贴近现实的法庭电视剧。Take the Akhan Scourge Flow as an example:2002年，日本实行教育改革。每周实行双休制，课时相应削减，并引入绝对评价机制。出生于1987年的孩子们荣幸（不幸）地成为第一代“宽松世代”。他们步入高中，周末时候往返于补课班和住家之间，好不容易大学毕业又偏逢美国的次贷危机，被迫迎来了就业的冰河期。进入公司的第一年又遭遇了311东日本大地震。看起来多灾多难的一代人，偏偏又被周遭评价为“没有野心”、“没有竞争性”、“没有协作意识”。于是在这样的大环境下，“宽松世代”的青年们摸索着走入社会，磕磕绊绊追求心中所念的幸福。本片聚焦于普通上班族坂间正和、小学教师山路一丰和资深高考复读生道上海音这几位即将步入而立之年的宽松世代代表，通过他们的故事向所有为了生活辛苦打拼的青年人发出应援之歌。"Vietnam is rich in bamboo rats, I did hear some veteran comrades who took part in the 79-year border counterattack say that, It is said that many wounded and sick people did not have time to withdraw from their positions and were bitten or even killed by bamboo rats. This has happened to both the Vietnamese army and our side. Moreover, bamboo rats also like to go out collectively to eat the bodies left over from the battlefield. Is it because swarms of bamboo rats attacked position 142? However, the size of bamboo rats is not large, so it seems a little inappropriate to say that they are "big rats". "I went on to ask.由即将上演的导演和编剧绘制的独特戏剧中的第二部，讲述的是演员突然中断拍摄的那天。 著名演员竹内龙马扮演自己的八个平行故事。