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电影《空白》突显现代人与人的关系、家庭羁绊与媒体的真实面目，什么是真的？谁是正义？思绪在意想不到的地方朝着危险方向上被放大，反映了现代社会。登场角色们，在爱和恨的尽头呈现出全体受害者与加害者的样子，将乍看愤世嫉俗的题材混用讽刺的黑色幽默的手法来描绘。这一切的开端始于一个商店盗窃未遂事件，一名女中学生在超市的化妆品柜台被店主看到偷东西而逃离现场，但一出国道就发生车祸事故身亡。女学生的渔夫父亲添田充坚信女儿不可能偷东西，让怀疑加剧，并追捕了事故的相关人员。另一方面，由于父亲的压力与媒体报导的加温下，让事故契机的超市店主青柳直人，开车的女驾驶陷入混乱与自我否定。Aban was born in Portland, Oregon, USA in 1884 and died in 1955. He was unmarried and childless. Aban did not like to live in conformity with the rules. In 1905, when he was just in his third year at Stanford University, he dropped out of school to join the society and got a job as an intern reporter. Before coming to China, he had been immersed in the US press for 21 years, and the highest position was editor-in-chief. During this period, Aban did not consider getting a wife and having children. He just changed jobs frequently and wrote in the mountains. In short, he hated any fixed day. After all this trouble until I was in my early 40s, I suddenly had a whim to enter the world in the Far East and came to China.邱志宏是广告策划奇才,却因性格的原因,在事业和经济上没有什么成绩,岳林的母亲,是一个一心要把女儿嫁入豪门的现实女人,所以对他们的婚姻进行百般阻挠,面临七年之养之际,邱志宏面临着事业、生活和结婚的多重压力……