II. Single Case Mode
他的存在，好像一根刺，如鲠在喉，又如芒刺在背，让他不得安宁。
山坡上的牧童都看呆了，沉默的熊小子要发达了？急忙赶着青牛，抄近道跑回村子。
As seen above, we directly call that subclass baiDuInterview.init () method. Since our subclass baiDuInterview has no init method, but it inherit the parent class, we will look for the corresponding init method in the parent class. Therefore, it will face the prototype chain and look up in the parent class. The same is true for other subclasses, such as Ali class code, which will not be introduced much here. For the parent class, this method Interview.prototype.init () is a template method, because it encapsulates the algorithm framework in the subclass. As a template for an algorithm, it guides the subclass to execute the code in what order.
板栗一扬眉，道：不碍事，你不是有‘芙蓉面么。
讲述了岳子缘作为女镖师临危受命走了趟人身镖，接义母的命令帮助义母女儿白银若嫁进杨府，却意外与白银若的未婚夫杨潇结识，结果行差踏错的四人陷入了一段有误会的爱情江湖故事，最终杨潇、子缘结合一派江湖义气人士携手调查他们父母当年被害真凶、恢复归越商路，缔造了一段极具 色彩的甜蜜传奇的成长故事。
罗立夏天资聪颖，大学期间一直属于学霸级人物，出国留学毕业后在外创业，就在他以为登上人生巅峰，创业成功受到万众瞩目之时，却被合伙人陷害，一下跌入人生谷底。回国后罗立夏重燃创业之心，在几个小伙伴与政府的帮助下从零开始经历磨难和挫折后，迅速成长为新一代的创业领导者。
4. Builder Model
八十年代初，赵灵、李楠、杨阳先后出生于新疆某农场，住在同一栋筒子楼里的三个家庭之间的关系非常融洽。在她们六岁那年，赵家父母带着杨阳外出旅游，灾难突然降临。李楠的父亲与杨阳的母亲为救赵灵而去世，身在外地的赵父赵母双双遇难，杨阳生死不明。灾难过后，李楠被母亲张慧英送到北京借读，赵灵被杨父（杨原平）收养。十二年后，李楠和赵灵中学即将毕业。他先在农场将户口迁出手续办好（从此赵灵在户口本上的名字变成了杨阳），然后又委托退休后搬到北京去的张慧英办理迁入手续。办理过程中，张慧英私心萌动，经过一番激烈的内心斗争，让李楠顶替了赵灵（从此李楠在户口本上的名字也变成了杨阳），并主动和杨原平一家断了联系。 从此，出生于同一个地方的三个女孩，虽然叫着同样的名字，但人生轨迹发生了截然不同的变化。李楠顺利地被北方大学录取，毕业后又轻松地应聘进了《生活参考报》，成了无冕之王。此后，又在和于家驹的长期配合中逐渐形成了默契，摩擦出了爱情的火花。她就像一个命运的宠儿，在阳光下幸福地成长
其中在戏里黄子华用超市和快餐店的名称讲的粗口顺口溜，相当搞鬼！！
《哈哈乐园》是韩国MBC电视台推出的一档追求人和动物幸福共存的探索型综艺节目。节目名哈哈乐园HAHAland的HAHA取自人和动物的英文单词Human和Animal的首写字母，表示动物与人能一起欢声笑语，共同感到幸福的乐园。
Responsible for MDT team management. For example, formulate clear work objectives, management systems, diagnosis and treatment standards, etc. for MDT team;
(This reason is caused by negligence of too many platform lists) It usually falls within 7 days.
亿万富翁范先生（迈克尔·道格拉斯）在四十八岁生日时收到弟弟康拉德（西恩·潘）的一份礼物，CRS俱乐部的游戏卡。游戏的内容为迈克尔量身定做，直指他内心深处的童年阴影和婚姻创伤。范先生由于好奇，渐渐投入到游戏中去，并由此结识了女侍应生克莉丝汀（黛博拉·卡拉·安格）。可是在种种恶作剧后，范先生发现这一系列离奇事件并不是简单的游戏，他的生活甚至生命正被拖向深渊。当生命不断受到威胁，范先生一次次的告诉自己，这只是个游戏。然而游戏的策划者正把他引向何方？父亲48岁生日时坠楼自杀的场景不断在他头脑里闪现……
你席上谈汪东城的事情，为何不与我说？这……这不重要。
在中国内蒙古东部一个游牧山村，巴图每天过着无忧无虑的生活，他从不在乎这个变迁的信息化时代。某一天巴图见到小学同学导演，导演脚受伤来老家养伤，从此俩人一起喝酒，钓鱼享受安静的生活，巴图偶尔听到导演讲外面的世界，突然有一天导演的朋友苏日娜来看导演，苏日娜的到来打破了俩人安静的生活……
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
