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《幸福》的故事发生在九十年代中期，南方某小城市，一座简陋的民房里，16岁的女孩晓雯和弟弟在做饭等候着他们的爸爸下班回家，45岁的罗志刚，是市一家工厂的工人，十年前妻子因故去世，他为了孩子一直没有再婚，带着一儿一女靠着微薄的工资过日子。这天他却心情沉重的带着两个更小的孩子回来。原来，他下岗了。祸不单行，罗志刚的妹妹妹夫二人意外身亡，令他不得不收养留下的两个孩子。本就生活困难的一家三口这下日子过得更加紧张，好在罗志刚又找到了一份不错的工作，这时意外发生了，他被车撞了成了植物人。看看时辰不早了，问了青莲已经洗漱过了，刚想帮他脱了衣裳上床，忽听小娃儿奶声奶气地问道：哥哥。花艺师、雕塑师和园艺设计师两人一组，共十队展开温馨的花艺对决，看谁能够打造最巨型、最大胆的花园雕塑。全能的神确实存在，并且居于布鲁塞尔寻常住宅？还用电脑掌管一切生命？《小英雄杜杜》鬼才导演继《小国民尼谟》后又一奇幻狂放之作，这次斗胆玩转宗教。原来神不只有独生子道成肉身，还有个反叛的十岁女儿，对人间种种不幸看不过眼，决定离家出走改造世界，推翻暴君父亲。先发短讯泄露天机公布大限，再化身小救主，下凡召集六大使徒，聆听各人心曲，开启《超新约全书》。暴怒的神也追到凡间，力阻女儿造反。天马行空出奇制胜，更有凯瑟琳·德纳芙演富婆使徒，与黑猩猩擦出爱火花。As I have already said in the part of making the frame, the sub-conclusions contained in the frame structure should be summarized into two to four. At the same time, it is necessary to ensure that these two to four sub-conclusions (bases) revolve around the main argument and try to achieve MECE. The third layer does not need to pay too much attention to MECE, but the requirements of the framework structure are different. Once there is a major omission in the part directly supporting the claim, the persuasion will disappear instantly. On the other hand, as long as we fully think about building a framework structure to make the "pillar" as stable as Mount Tai, the firmness of logic can also be guaranteed. As far as impression is concerned, 89% MECE is enough.This is what we often call the professional model.