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This requires that the anger value is enough to scourge the boss all the time. You may want to say that you can use justice to throw a hammer at a long distance, but please note that justice does not enjoy the 81-fold injury of the blade of prophecy and Fred's anger, which is equivalent to saying that justice can only stack the number of punishment layers, and the actual damage caused can be basically ignored. The punished big head is still recommended to stack with scourge, 600ms=36 frames (justice or flame chop almost 28 frames or so).尹旭又问道：水军和船只呢？陈平回答道：全都准备妥当了，水军会抢滩在北岸登陆。1945年，为彻底击溃妄图扭转战局的日军，中共中央南方局派王文渊前往湘西战场。王文渊潜入日军核心机要部门盗取了日军作战计划情报，同时还发现了日军试图暗杀中国守军高级将领的“蝙蝠计划”。为阻止日军阴谋，王文渊只身进入重庆，与日本特工波田久雄展开生死对决，为赢得抗战胜利立下战功。抗战胜利后，国民党悍然挑起内战，却遭遇覆灭的下场。国民党军官宋永峥奉命留在贵州，寻机对贵州展开一系列破坏行动。王文渊针锋相对，粉碎了宋永峥的阴谋。宋永峥不甘失败，纠集一伙山匪四处破坏，伺机反攻。为彻底消灭匪帮，赢得全国的解放，王文渊率部进山剿匪，与宋永峥展开了一场殊死搏斗。该剧讲述的是民国时期从军阀混战到抗日战爆发后的十几年间，吴桥杂技艺人闯荡江湖的传奇故事。全剧以艺人动荡、复杂、坎坷的命运为故事元素，讲述了一个庞大的吴桥杂技艺人群体，以艺人独特的江湖生活，以及性格迥异、命运不同的各色江湖人物故事，组成了一个全景似的旧江湖艺人群体形象，再现了当年“闯江湖”的历史画面。以“华夏班”和“长乐班”两个杂技班子的矛盾纠葛为主线，以赵沧海、燕青山、萧紫霞、秦莺莺、高凤兰等杂技艺人，在家国交困之际所经历的风风雨雨和成长历程为脉络，表现了吴桥杂技艺人正道直行、自强不息、不畏强敌、爱憎分明、敢于斗争、勇于牺牲、慷慨侠义、兼容并蓄、开拓创新的燕赵风骨和慷慨悲歌精神，表现了吴桥杂技艺术独特的文化底蕴、艺术魅力和人文精神，揭示了只有国家的繁荣富强，杂技艺术的春天才会真正到来的深刻主题。Ha Xuesheng, director of the program department of CCTV's financial channel, concluded: "Charming China City is a bold attempt by our CCTV financial channel. For such a long time, we are also looking for a new path for our own development. We need to look for areas of expertise, look for CCTV's value, social responsibility and responsibility, integrate social resources and do programs that CCTV cannot do. "Charming China City" has found an accurate positioning this time, combining with the government and tourism resources, and using the resource integration ability that others do not have, to realize the demand resonance for the transformation and upgrading of the city, and to realize the resonance between the social and urban transformation needs and the responsibility of our program. "徐风只好悻悻地让开了，然后认真学习这次墨汁的浓淡。大哥刚回来。